How to Mark a Female Face Chapter A: Geometric Forms. In this step-by-step guide, we’ll learn some basic guidelines that portrait, cartoon, comic book, and anime artists worldwide have been using for years to paint lifelike faces. These are not mandatory rules of the system, and each artist can adapt and reinterpret them according to their style.
Here we Start the Drawing of a Female Face
Start with a circle: First, make a small construction drawing. With just a few basic shapes, You can easily position the head, eyes, nose, and mouth for the female face of a girl drawing.
Let’s start with a circle. Drawing a process is not the easiest thing in the world. If you fail right away and your ring looks like a cubist potato, try tying the wrist and pulling the circle out of the forearm twist. You can also, like me, try approaching the circle shape with several quick strokes. Don’t worry if your engineering drawing doesn’t look very nice. In the end, you don’t see it at all.
Central axis: We now draw a straight line in the circle’s center. I call it the “central axis” because the left and right should be more or less symmetrical, like the faces.
Vertical Guides: Guide time: Intersect the circle with a horizontal line. We bring this height of the semicircle to the extended central axis.
We also sliced each half in half with two trim lines inside the circle. In this way, we have divided the process into four parts and added another height of the semicircle bottom.
Another Circle: We need a smaller circle now. Don’t worry, and we’re almost done building. The small process goes down from the third dividing line. So it is as big as the great circle. We also report the center of the smaller circle.
Wangen: Construction complete. Time to draw the rest. Join the two circles into a shape. These connected circles form the skull and lower jaw as no legs are sticking out. It should be simple enough. Depending on how good you want the well-fed female face to look, you can make the connecting lines straight or wavy outwards. Cheeks can also droop inwards if a slim look is desired.
Vertical placement: How excellent that we built so boldly. Because now we know exactly where everything belongs:
• The hairline is in the upper quarter row.
• The centerline of the circle – well, maybe we could have left it out. But seasoned artists know this: to make a quarter, you must first complete the half
• The following rule applies to the eyes. Yes, they are that low. They sit halfway under the face.
• The nose ends right at the bottom of our first circle.
• And the mouth is in the middle of the small circle.
Horizontal split: To avoid drawing the eyes and mouth too wide or too narrow, let’s split the face again, this time horizontally. We cut each side in half and then in half again. This gives us a total of eight parts of the same width. The left eye stretches from the second to the fourth dividing line, and the right side reflects it to the other side. The pupils are in the middle of the eyes on the third dividing line, right in the middle half. The mug is almost as comprehensive as the length between the learners. Draw a pair of eyes, a mouth, and a small U-shaped line for the nose. It doesn’t have to be perfect, but make sure you clearly define the vertices.
Head Shape: Now that we understand where the sights, mouth, and snout are, we can remove some guides. Save that for the hairline, and we’ll need that again at the end. Now that we’re seeing the face for the first time, we can tweak the shape of the head a bit. A woman’s head shape is softer and less angular than a man’s. Therefore, we should draw the contours of the head shape with smoother curves.
Let’s start with a U-shaped curve on the chin. Try to tighten the chin as symmetrically as probable. The firmer the chin, the more feminine the face appears. But if the chin is too tight, we can accidentally draw a stranger.
When you are happy with the chin, start a new line at the top of the forehead. First, follow the circle of our sketch. At eye level, the shape of our head sinks inwards almost imperceptibly. Once there, sweep cheek elegantly and draw a nearly straight line to the chin where we meet the lines.
The Mood of Our Face: Now decide what mood our wife’s face has. It mainly depends on whether the eyebrows and mouth are up or down. I chose a happy look in a good mood. The mouth ends a little upwards, the eyebrows are fairly uninterested for the female face.
End of the preliminary drawing: Our initial picture is finished. I’ve outlined the areas for the eyebrows and outlined the lips a bit. But don’t worry, we’ll get into all the details in a moment.
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